I often translate drawings into three-dimensional models. I initially imagined these works as completely transparent objects, but, like my paintings and drawings, they develop through the process of making: elements are added, removed, shifted, and eventually activated by light. I think of these objects as articulations of space. Their form is not derived from observed reality; it is constructed and non-referential, existing on its own terms. For me, non-objective, non-referential space is moving and expanding, shifting between two- and three-dimensional perception. This space includes not only physical direction but duration—the time required to move around an object, perceive changing relationships, and assemble those relationships into an experience.